| 1. |
Three-Page Sonata (1905): Allegro Moderato |
2:04 |
| 2. |
Three-Page Sonata (1905): Andante |
3:16 |
| 3. |
Three-Page Sonata (1905): Allegro - March Time |
2:38 |
| 4. |
Study No. 6 (1907-09) |
4:22 |
| 5. |
Study No. 7 (1907) |
2:58 |
| 6. |
Study No. 8 (1907) |
1:51 |
| 7. |
Study No. 9 "The Anti-Abolitionist Riots" (1907) |
3:19 |
| 8. |
Study No. 15 (1907-1909; 1920s) |
4:05 |
| 9. |
Study No. 16 / 19 (1907-1909; 1902s) |
2:15 |
| 10. |
Study No. 23 (1912-1914; 1920s) |
4:07 |
| 11. |
Set of Five Take-Offs (1906): I. The Seen and Unseen or Sweet and Tough |
2:55 |
| 12. |
Set of Five Take-Offs (1906): II. Rough and Ready or The Jumping Frog |
3:06 |
| 13. |
Set of Five Take-Offs (1906): III. Song Without (good) Words |
3:17 |
| 14. |
Set of Five Take-Offs (1906): IV. Scene Episode |
2:12 |
| 15. |
Set of Five Take-Offs (1906): V. Bad Resolutions and Good One |
0:57 |
| 16. |
Study No. 20 (1920s) |
7:31 |
| 17. |
Study No. 22 (1909) |
1:57 |
| 18. |
Study No. 21 "Some South-Paw Pitching" (1917) |
2:48 |
| 19. |
Evocations, Four Chants for Piano (1937-1954): I. Largo (To Harriette Miller) |
2:01 |
| 20. |
Evocations, Four Chants for Piano (1937-1954): II. Andante con fantasia (To John Kirkpatrick) |
2:51 |
| 21. |
Evocations, Four Chants for Piano (1937-1954): III. Moderato appasionato (To Charlotte Ruggles) |
1:37 |
| 22. |
Evocations, Four Chants for Piano (1937-1954): IV. Adagio Sostenuto (To Charles Ives) |
3:32 |
