|
CD 1 |
|
| 1. |
Der Freischütz, op. 77: Overture |
9:59 |
| 2. |
Symphony no. 5 in C minor, op. 67: I. Allegro con brio |
6:25 |
| 3. |
Symphony no. 5 in C minor, op. 67: II. Andante con moto |
11:10 |
| 4. |
Symphony no. 5 in C minor, op. 67: III. Allegro |
5:45 |
| 5. |
Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto |
8:54 |
| 6. |
A Midsummer Night's Dream, op. 21: Overture |
12:39 |
| 7. |
Orchestral Suite no. 3, BWV 1068: II. Air |
5:07 |
| 8. |
Rosamunde, D. 797: Entracte no. 3 |
5:16 |
| 9. |
Rosamunde, D. 797: Ballet no. 2 |
5:15 |
|
CD 2 |
|
| 1. |
Lohengrin: Act I. Prelude |
9:45 |
| 2. |
Tristan und Isolde: Act I. Prelude |
10:31 |
| 3. |
Tristan und Isolde: Act III. Isoldes Liebestod |
6:33 |
| 4. |
Rosamunde, D. 797: Overture |
9:53 |
| 5. |
Till Eulenspiegels lustige Streiche, op. 28 |
15:00 |
| 6. |
Till Eulenspiegels (Rehearsal) |
8:57 |
|
CD 3 |
|
| 1. |
The Hebrides, op. 26 “Fingal's Cave” |
9:52 |
| 2. |
The Hebrides (Rehearsal) |
2:59 |
| 3. |
La Damnation de Faust, op. 24: Marche hongroise |
4:20 |
| 4. |
Slavonic Dance in A-flat major, op. 46 no. 3 |
4:29 |
| 5. |
Brandenburg Concerto no. 3 in G major, BWV 1048: I. |
7:18 |
| 6. |
Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro |
3:30 |
| 7. |
La gazza ladra: Overture |
9:18 |
| 8. |
Hungarian Dances: No. 1 in G minor |
2:54 |
| 9. |
Hungarian Dances: No. 10 in E major |
2:01 |
| 10. |
Aufforderung zum Tanz (orch. Berlioz: “Invitation à la valse”) |
8:24 |
|
CD 4 |
|
| 1. |
Götterdämmerung: Act III. Siegfried's Funeral March |
8:23 |
| 2. |
Egmont, op. 84: Overture |
8:34 |
| 3. |
Le nozze di Figaro, K. 492: Overture |
4:14 |
| 4. |
Die Entführung aus dem Serail, K. 384: Overture |
4:51 |
| 5. |
Il barbiere di Siviglia: Overture |
7:13 |
| 6. |
Der Freischütz, op. 77: Overture |
9:46 |
| 7. |
Der Freischütz, op. 77: Act III. Prelude |
3:21 |
| 8. |
Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro |
4:21 |
| 9. |
Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romanze. Andante |
5:50 |
| 10. |
Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: III. Menuetto. Allegretto - Trio |
2:01 |
| 11. |
Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro |
3:01 |
| 12. |
Die Fledermaus: Overture |
8:20 |
|
CD 5 |
|
| 1. |
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso |
17:52 |
| 2. |
Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace |
11:28 |
| 3. |
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile |
20:16 |
| 4. |
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning |
7:02 |
| 5. |
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…” |
3:47 |
| 6. |
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”) |
3:48 |
| 7. |
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso |
6:18 |
| 8. |
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End |
4:05 |
|
CD 6 |
|
| 1. |
Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries) |
7:15 |
| 2. |
Die Walküre: Act III, Scene 1. “Schützt mich und helft in höchster Not!” (Brünnhilde, Sieglinde, Walkyries) |
8:40 |
| 3. |
Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Wotan, Brünnhilde) |
8:25 |
| 4. |
Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Wotan, Walkyries) |
2:49 |
| 5. |
Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde) |
9:31 |
| 6. |
Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde) |
8:10 |
| 7. |
Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess' ich dich” (Wotan, Brünnhilde) |
2:32 |
| 8. |
Die Walküre: Act III, Scene 3. “Leb wohl, du kühnes, herrliches Kind!” (Wotan) |
8:07 |
| 9. |
Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan) |
7:24 |
|
CD 7 |
|
| 1. |
Götterdämmerung: Prologue. Orchestra (after the Norns) |
3:22 |
| 2. |
Götterdämmerung: Prologue. “Zu neuen Taten, teurer Helde” (Brünnhilde) |
2:45 |
| 3. |
Götterdämmerung: Prologue. “Mehr gabst du, Wunderfrau” (Brünnhilde) |
6:21 |
| 4. |
Götterdämmerung: Prologue. “O heilige Götter” (Brünnhilde, Siegfried) |
2:49 |
| 5. |
Götterdämmerung: Act I, Scene 3. “Altgewohntes Geräusch” (Brünnhilde, Waltraute) |
7:49 |
| 6. |
Götterdämmerung: Act I, Scene 3. “Höre mit Sinn, was ich dir sage!” (Waltraute) |
9:51 |
| 7. |
Götterdämmerung: Act I, Scene 3. “Welch banger Träume Mären” (Brünnhilde, Waltraute) |
5:39 |
| 8. |
Götterdämmerung: Act I, Scene 3. “Blitz und Gewölk” (Brünnhilde) |
3:07 |
| 9. |
Götterdämmerung: Act I, Scene 3. “Brünnhild'! Ein Freier kam” (Brünnhilde) |
6:06 |
| 10. |
Götterdämmerung: Act I, Scene 3. “Jetzt bist du mein” (Siegfried, Brünnhilde) |
2:50 |
|
CD 8 |
|
| 1. |
Götterdämmerung: Act II, Scene 4. “Heil dir, Gunther!” (chorus) |
1:27 |
| 2. |
Götterdämmerung: Act II, Scene 4. “Brünnhild', die hehrste Frau” (Gunther, chorus) |
1:33 |
| 3. |
Götterdämmerung: Act II, Scene 4. “Gegrüßt sei, teurer Heid” (Gunther, Siegfried, Brünnhilde, Hagen, chorus) |
3:57 |
| 4. |
Götterdämmerung: Act II, Scene 4. “Einen Ring sah ich an deiner Hand” (Gutrune, Gunther, Siegfried, Brünnhilde, Hagen) |
2:30 |
| 5. |
Götterdämmerung: Act II, Scene 4. “Betrug! Betrug!” (Gutrune, Gunther, Siegfried, chorus) |
5:36 |
| 6. |
Götterdämmerung: Act II, Scene 4. “Helle Wehr! Heilige Waffe!” (Siegfried, Brünnhilde chorus) |
2:48 |
| 7. |
Götterdämmerung: Act II, Scene 4. “Glaub, mehr zümt es mich als dich” (Siegfried) |
2:28 |
| 8. |
Götterdämmerung: Act II, Scene 5. “Welches Unholds List” (Brünnhilde) |
3:25 |
| 9. |
Götterdämmerung: Act II, Scene 5. “Vertraue mir, betrog' ne Frau!” (Brünnhilde, Hagen) |
3:11 |
| 10. |
Götterdämmerung: Act II, Scene 5. “Und dort trifft ihn mein Speer!” (Brünnhilde, Hagen) |
5:28 |
| 11. |
Götterdämmerung: Act II, Scene 5. “So soll es sein!” (Gunther, Brünnhilde, Hagen) |
2:19 |
| 12. |
Götterdämmerung: Act III, Scene 3. “Schweigt eures Jammers jauchzenden Schwall!” (Gutrune, Brünnhilde) |
3:57 |
| 13. |
Götterdämmerung: Act III, Scene 3. “Starke Scheite schichtet mir dort” (Brünnhilde) |
2:24 |
| 14. |
Götterdämmerung: Act III, Scene 3. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) |
2:22 |
| 15. |
Götterdämmerung: Act III, Scene 3. “O ihr, der Eide ewige Hüter!” (Brünnhilde) |
3:46 |
| 16. |
Götterdämmerung: Act III, Scene 3. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde) |
2:26 |
| 17. |
Götterdämmerung: Act III, Scene 3. “Fliegt heim, ihr Raben!” (Brünnhilde) |
1:12 |
| 18. |
Götterdämmerung: Act III, Scene 3. “Grane, mein Ross, sei mir gegrüßt!” (Brünnhilde) |
6:14 |
|
CD 9 |
|
| 1. |
Symphony no. 5 in C minor, op. 67: I. Allegro con brio |
7:42 |
| 2. |
Symphony no. 5 in C minor, op. 67: II. Andante con moto |
10:16 |
| 3. |
Symphony no. 5 in C minor, op. 67: III. Allegro |
5:48 |
| 4. |
Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto |
8:19 |
| 5. |
Tristan und Isolde: Act I. Prelude |
11:05 |
| 6. |
Tristan und Isolde: Act III. Isoldes Liebestod |
6:57 |
| 7. |
Parsifal: Act I. Prelude |
14:10 |
| 8. |
Parsifal: Act III. Karfreitagszauber |
10:47 |
|
CD 10 |
|
| 1. |
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio - Allegro non troppo |
20:07 |
| 2. |
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia |
8:49 |
| 3. |
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace |
9:16 |
| 4. |
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso - Andante |
10:24 |
|
CD 11 |
|
| 1. |
Symphonic Concerto for Piano & Orchestra in B minor: II. Adagio solenne |
11:15 |
| 2. |
Cavatina for String Orchestra (after String Quartet no. 13 in B-flat major, op. 130) |
8:38 |
| 3. |
Symphony no. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam |
22:42 |
| 4. |
Alceste: Overture |
8:21 |
|
CD 12 |
|
| 1. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante |
2:23 |
| 2. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato |
1:21 |
| 3. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace |
1:04 |
| 4. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto |
2:06 |
| 5. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto |
2:59 |
| 6. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace |
0:56 |
| 7. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace |
1:26 |
| 8. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso |
3:47 |
| 9. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo |
1:04 |
| 10. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante |
4:03 |
| 11. |
Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo |
11:26 |
| 12. |
Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto |
13:58 |
| 13. |
Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro |
5:47 |
| 14. |
Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro |
3:56 |
| 15. |
Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto |
9:15 |
|
CD 13 |
|
| 1. |
Violin Concerto in D major, op. 61: I. Allegro ma non troppo |
24:06 |
| 2. |
Violin Concerto in D major, op. 61: II. Larghetto |
10:56 |
| 3. |
Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Fritz Kreisler) |
10:08 |
|
CD 14 |
|
| 1. |
Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio |
16:05 |
| 2. |
Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai |
17:20 |
| 3. |
Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace |
6:15 |
| 4. |
Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto |
12:44 |
| 5. |
Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai: first side (Take included in the first commercial release) |
5:16 |
| 6. |
Coriolan Overture, op. 62 |
8:35 |
|
CD 15 |
|
| 1. |
Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: I. Largo. Molto allegro |
6:49 |
| 2. |
Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: II. Menuetto |
5:50 |
| 3. |
Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: III. Adagio |
6:27 |
| 4. |
Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: IV. Menuetto. Allegretto |
3:18 |
| 5. |
Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: V. Romance. Adagio |
5:29 |
| 6. |
Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VI. Tema con variazioni |
8:54 |
| 7. |
Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: VII. Finale: Molto allegro (Rondo) |
3:27 |
|
CD 16 |
|
| 1. |
Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro |
14:47 |
| 2. |
Symphony no. 1 in C minor, op. 68: II. Andante sostenuto |
10:37 |
| 3. |
Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso |
5:05 |
| 4. |
Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo, ma con brio |
16:33 |
|
CD 17 |
|
| 1. |
Symphony no. 2 in D major, op. 73: I. Allegro non troppo |
15:17 |
| 2. |
Symphony no. 2 in D major, op. 73: II. Adagio non troppo |
10:54 |
| 3. |
Symphony no. 2 in D major, op. 73: III. Allegretto grazioso. Quasi andantino - Presto ma non assai |
5:58 |
| 4. |
Symphony no. 2 in D major, op. 73: IV. Allegro con spirito |
9:01 |
| 5. |
Symphony no. 2 in D major, op. 73: I. 12080-1 (alternate take) |
3:08 |
| 6. |
Symphony no. 2 in D major, op. 73: I. 12082-1 (alternate take) |
2:56 |
| 7. |
Symphony no. 2 in D major, op. 73: II. 12083-1 (alternate take) |
3:43 |
| 8. |
Symphony no. 2 in D major, op. 73: III. 12086-1 (alternate take) |
4:47 |
|
CD 18 |
|
| 1. |
Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet mir dort” (Brünnhilde) |
2:25 |
| 2. |
Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) |
2:31 |
| 3. |
Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Hüter!” (Brünnhilde) |
3:46 |
| 4. |
Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm' ich zu eigen” (Brünnhilde) |
2:33 |
| 5. |
Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde) |
1:16 |
| 6. |
Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst!” (Brünnhilde) |
6:38 |
| 7. |
The Hebrides, op. 26 “Fingal's Cave” |
10:12 |
| 8. |
Symphony no. 40 in G minor, K. 550: I. Molto allegro |
7:03 |
| 9. |
Symphony no. 40 in G minor, K. 550: II. Andante |
8:31 |
| 10. |
Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto |
4:27 |
| 11. |
Symphony no. 40 in G minor, K. 550: IV. Allegro assai |
4:38 |
|
CD 19 |
|
| 1. |
Siegfried Idyll |
17:04 |
| 2. |
Tannhäuser: Overture |
14:05 |
| 3. |
Götterdämmerung: Siegfried's Rhine Journey |
11:53 |
| 4. |
Der fliegende Holländer: Overture |
11:46 |
|
CD 20 |
|
| 1. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante |
2:09 |
| 2. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato |
1:17 |
| 3. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace |
0:59 |
| 4. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto |
2:07 |
| 5. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto |
2:46 |
| 6. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace |
0:53 |
| 7. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace |
1:22 |
| 8. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso |
3:17 |
| 9. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo |
0:58 |
| 10. |
Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante |
3:56 |
| 11. |
Die Walküre: Act III. Ride of the Walkyries |
5:20 |
| 12. |
La Damnation de Faust, op. 24: Marche hongroise |
4:28 |
| 13. |
Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro |
4:21 |
| 14. |
Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romanze - Andante |
4:49 |
| 15. |
Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: III. Menuetto - Allegretto |
2:12 |
| 16. |
Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo - Allegro |
3:06 |
| 17. |
Hungarian Dances: No. 1 in G major |
3:07 |
| 18. |
Hungarian Dances: No. 3 in F major |
2:32 |
| 19. |
Hungarian Dances: No. 10 in E major |
1:54 |
| 20. |
Die Meistersinger von Nürnberg: Act I. Prelude |
9:44 |
| 21. |
Die Meistersinger von Nürnberg: Act III. Dance of the Apprentices |
2:45 |
|
CD 21 |
|
| 1. |
Lohengrin: Act I. Prelude |
9:09 |
| 2. |
Violin Concerto in D major, op. 77: I. Allegro non troppo |
22:02 |
| 3. |
Violin Concerto in D major, op. 77: II. Adagio |
9:53 |
| 4. |
Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto |
8:04 |
|
CD 22 |
|
| 1. |
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace |
12:58 |
| 2. |
Symphony no. 7 in A major, op. 92: II. Allegretto |
10:16 |
| 3. |
Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto |
8:39 |
| 4. |
Symphony no. 7 in A major, op. 92: IV. Allegro con brio |
7:02 |
| 5. |
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato |
11:30 |
| 6. |
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto |
12:09 |
|
CD 23 |
|
| 1. |
Death and Transfiguration, op. 24 |
24:23 |
| 2. |
Kaiser-Walzer, op. 437 |
9:35 |
| 3. |
Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace |
10:53 |
| 4. |
Symphony no. 4 in B-flat major, op. 60: II. Adagio |
12:17 |
| 5. |
Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro |
5:55 |
| 6. |
Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo |
7:24 |
|
CD 24 |
|
| 1. |
Götterdämmerung: Act III. Siegfried's Funeral March |
8:41 |
| 2. |
Die Meistersinger von Nürnberg: Act III. Prelude |
6:37 |
| 3. |
Oberon, J. 306: Overture |
10:01 |
| 4. |
Rosamunde: Entracte no. 3 |
4:52 |
| 5. |
Rosamunde: Ballet music no. 2 |
4:59 |
| 6. |
Serenade in C major, op. 48: II. Valse: Moderato |
4:21 |
| 7. |
Serenade in C major, op. 48: IV. Finale: Tema russo |
7:52 |
| 8. |
Pizzicato Polka (with glockenspiel) |
2:51 |
| 9. |
Pizzicato Polka (without glockenspiel) |
2:46 |
| 10. |
Die Zauberflöte (Arias of the Queen of the Night): Act I. “O zittre nicht, mein lieber Sohn!” |
4:42 |
| 11. |
Die Zauberflöte (Arias of the Queen of the Night): Act II. “Der Hölle Rache” |
2:59 |
|
CD 25 |
|
| 1. |
Rosamunde: Overture |
10:44 |
| 2. |
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima |
19:18 |
| 3. |
Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona |
10:19 |
| 4. |
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato, allegro |
5:56 |
| 5. |
Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco |
9:20 |
| 6. |
Anacréon: Overture |
9:42 |
|
CD 26 |
|
| 1. |
Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio - Allegro |
7:06 |
| 2. |
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante |
7:46 |
| 3. |
Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet - Allegro - Trio - Menuet |
4:06 |
| 4. |
Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale: Vivace |
4:01 |
| 5. |
The Merry Wives of Windsor: Overture |
8:41 |
| 6. |
Manfred, op. 115: Overture |
12:25 |
| 7. |
Má Vlast: No. 2. Vltava “The Moldau” |
12:35 |
|
CD 27 |
|
| 1. |
Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro |
20:44 |
| 2. |
Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio, un poco mosso |
7:51 |
| 3. |
Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo (Allegro) |
10:28 |
| 4. |
Violin Concerto in E minor, op. 64: I. Allegro molto appassionato |
12:32 |
| 5. |
Violin Concerto in E minor, op. 64: II. Andante |
7:50 |
| 6. |
Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace |
6:45 |
|
CD 28 |
|
| 1. |
Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience |
1:11 |
| 2. |
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso |
17:47 |
| 3. |
Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience |
0:55 |
| 4. |
Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace |
11:59 |
| 5. |
Symphony no. 9 in D minor, op. 125 “Choral”: Hall ambience |
0:34 |
| 6. |
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile |
19:39 |
| 7. |
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Beginning |
6:59 |
| 8. |
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: “O Freunde, nicht diese Töne…” |
3:51 |
| 9. |
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Alla marcia (“Froh, froh…”) |
4:00 |
| 10. |
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: Andante maestoso |
5:59 |
| 11. |
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale: End and applause |
4:19 |
|
CD 29 |
|
| 1. |
Symphony no. 9 in C major, D. 944 “The Great”: I. Andante - Allegro ma non troppo |
14:41 |
| 2. |
Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto |
17:16 |
| 3. |
Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo: Allegro vivace |
11:15 |
| 4. |
Symphony no. 9 in C major, D. 944 “The Great”: IV. Finale: Allegro vivace |
11:42 |
| 5. |
Symphony no. 2 in E minor: I. Assai moderato |
24:34 |
|
CD 30 |
|
| 1. |
Symphony no. 2 in E minor: II. Andante simplice |
12:42 |
| 2. |
Symphony no. 2 in E minor: III. Allegro - Moderato - Allegro |
16:21 |
| 3. |
Symphony no. 2 in E minor: IV. Langsam - Moderato andante |
28:44 |
| 4. |
Symphony no. 88 in G major, Hob. I:88: I. Allegro |
6:52 |
| 5. |
Symphony no. 88 in G major, Hob. I:88: II. Largo |
6:19 |
| 6. |
Symphony no. 88 in G major, Hob. I:88: III. Menuetto |
4:21 |
| 7. |
Symphony no. 88 in G major, Hob. I:88: IV. Allegro con spirito |
3:38 |
|
CD 31 |
|
| 1. |
Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet dort” (Brünnhilde) |
2:31 |
| 2. |
Götterdämmerung: Act III, Scene 3: Immolation Scene. “Wie Sonne lauter strahlt mir sein Licht” (Brünnhilde) |
2:29 |
| 3. |
Götterdämmerung: Act III, Scene 3: Immolation Scene. “O ihr, der Eide heilige Huter!” (Brünnhilde) |
3:46 |
| 4. |
Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm'ich zu eigen” (Brünnhilde) |
2:51 |
| 5. |
Götterdämmerung: Act III, Scene 3: Immolation Scene. “Fliegt heim, ihr Raben!” (Brünnhilde) |
1:20 |
| 6. |
Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst” (Brünnhilde) |
6:52 |
| 7. |
Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht |
4:18 |
| 8. |
Lieder eines fahrenden Gesellen: II. Ging heut' Morgen übers Feld |
4:49 |
| 9. |
Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer |
3:31 |
| 10. |
Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen |
5:52 |
|
CD 32 |
|
| 1. |
Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio |
7:57 |
| 2. |
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto |
7:24 |
| 3. |
Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace |
3:52 |
| 4. |
Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace |
6:27 |
| 5. |
Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo |
11:55 |
| 6. |
Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto |
13:26 |
| 7. |
Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro |
5:58 |
| 8. |
Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro |
4:08 |
| 9. |
Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto |
9:23 |
|
CD 33 |
|
| 1. |
Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio |
16:11 |
| 2. |
Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai |
17:22 |
| 3. |
Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace |
6:30 |
| 4. |
Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto |
12:17 |
|
CD 34 |
|
| 1. |
Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace |
10:39 |
| 2. |
Symphony no. 4 in B-flat major, op. 60: II. Adagio |
11:49 |
| 3. |
Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro |
5:58 |
| 4. |
Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo |
7:37 |
| 5. |
Tannhäuser: Overture |
13:56 |
|
CD 35 |
|
| 1. |
Violin Concerto in D major, op. 61: I. Allegro ma non troppo |
24:01 |
| 2. |
Violin Concerto in D major, op. 61: II. Larghetto |
9:41 |
| 3. |
Violin Concerto in D major, op. 61: III. Rondo: Allegro (Cadenza: Fritz Kreisler) |
10:31 |
| 4. |
Romance no. 1 in G major, op. 40 |
7:39 |
| 5. |
Romance no. 2 in F major, op. 50 |
9:38 |
|
CD 36 |
|
| 1. |
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft |
11:51 |
| 2. |
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam |
5:22 |
| 3. |
Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft - Etwas zurückhaltend |
5:57 |
| 4. |
Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft |
8:05 |
| 5. |
Symphony in D minor, FWV 48: I. Lento - Allegro non troppo |
18:13 |
| 6. |
Symphony in D minor, FWV 48: II. Allegretto |
10:34 |
| 7. |
Symphony in D minor, FWV 48: III. Allegro non troppo |
10:44 |
|
CD 37 |
|
| 1. |
Violin Concerto no. 2 in B minor, Sz. 112: I. Allegro non troppo |
16:01 |
| 2. |
Violin Concerto no. 2 in B minor, Sz. 112: II. Andante tranquillo |
10:02 |
| 3. |
Violin Concerto no. 2 in B minor, Sz. 112: III. Allegro molto |
11:40 |
|
CD 38 |
|
| 1. |
Symphony no. 5 in C minor, op. 67: I. Allegro con brio |
8:39 |
| 2. |
Symphony no. 5 in C minor, op. 67: II. Andante con moto |
11:22 |
| 3. |
Symphony no. 5 in C minor, op. 67: III. Allegro |
6:03 |
| 4. |
Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto |
9:49 |
|
CD 39 |
|
| 1. |
Götterdämmerung: Act III. Siegfried's Funeral March |
9:17 |
| 2. |
Götterdämmerung: Prologue. Siegfried's Rhine Journey |
12:01 |
| 3. |
Don Juan, op. 20 |
18:42 |
| 4. |
Till Eulenspiegels lustige Streiche, op. 28 |
16:13 |
| 5. |
Les Préludes, S. 97 |
15:40 |
|
CD 40 |
|
| 1. |
Lohengrin: Act I. Prelude |
9:57 |
| 2. |
Der Freischütz, op. 77: Overture |
10:48 |
| 3. |
Euryanthe, op. 81: Overture |
9:32 |
| 4. |
Alceste: Overture |
8:53 |
| 5. |
Iphigénie en Aulide: Overture |
10:15 |
| 6. |
Leonore Overture no. 2, op. 72a |
15:58 |
|
CD 41 |
|
| 1. |
Matthäus-Passion, BWV 244: First Part. Hall ambience |
1:12 |
| 2. |
Matthäus-Passion, BWV 244: First Part. No. 1 Chorus: “Kommt ihr Töchter” (chorus) |
8:14 |
| 3. |
Matthäus-Passion, BWV 244: First Part. No. 2 Recitative: “Da Jesus diese Rede vollendat hatte” (Evangelist, Jesus) |
0:54 |
| 4. |
Matthäus-Passion, BWV 244: First Part. No. 3 Chorus: “Herzliebster Jesu” (chorus) |
1:40 |
| 5. |
Matthäus-Passion, BWV 244: First Part. No. 4 Recitative: “Da versammeleten sich die Hohepriester” (Evangelist) |
0:32 |
| 6. |
Matthäus-Passion, BWV 244: First Part. No. 5 Chorus: “Ja nicht auf das Fest” (chorus) |
0:17 |
| 7. |
Matthäus-Passion, BWV 244: First Part. No. 6 Recitative: “Da nun Jesus war zu Bethanien” (Evangelist) |
0:38 |
| 8. |
Matthäus-Passion, BWV 244: First Part. No. 7 Chorus: “Wozu dienet dieser Unrat?” (chorus) |
0:37 |
| 9. |
Matthäus-Passion, BWV 244: First Part. No. 8 Recitative: “Da das Jesus merkete, sprach er zu ihnen” (Evangelist, Jesus) |
1:57 |
| 10. |
Matthäus-Passion, BWV 244: First Part. No. 9 Arioso: “Du lieber Heiland du” (alto) |
1:24 |
| 11. |
Matthäus-Passion, BWV 244: First Part. No. 10 Aria: “Buß und Reu” (alto) |
5:18 |
| 12. |
Matthäus-Passion, BWV 244: First Part. No. 11 Recitative: “Da ging hin der Zwölfen einer” (Evangelist, Judas) |
0:43 |
| 13. |
Matthäus-Passion, BWV 244: First Part. No. 12 Aria: “Blute nur, du liebes Herz!” (soprano) |
5:40 |
| 14. |
Matthäus-Passion, BWV 244: First Part. No. 13 Recitative: “Aber am ersten Tage der süßen Brot” (Evangelist, chorus) |
0:16 |
| 15. |
Matthäus-Passion, BWV 244: First Part. No. 14 Chorus: “Wo willst du, dass wir dir bereiten” (chorus) |
0:28 |
| 16. |
Matthäus-Passion, BWV 244: First Part. No. 15 Recitative: “Er sprach” (Evangelist, Jesus, chorus) |
2:01 |
| 17. |
Matthäus-Passion, BWV 244: First Part. No. 16 Chorus: “Ich bin's, ich sollte büßen” (chorus) |
1:31 |
| 18. |
Matthäus-Passion, BWV 244: First Part. No. 17 Recitative: “Er antwortete und sprach” (Evangelist, Jesus, Judas) |
4:09 |
| 19. |
Matthäus-Passion, BWV 244: First Part. No. 18 Recitative: “Wiewohl mein Herz in Tränen schwimmt” (soprano) |
1:53 |
| 20. |
Matthäus-Passion, BWV 244: First Part. No. 20 Recitative: “Und da sie den Lobgesang gesprochen hatten” (Evangelist, Jesus) |
1:32 |
| 21. |
Matthäus-Passion, BWV 244: First Part. No. 21 Chorus: “Erkenne mich, mein Hüter” (chorus) |
1:56 |
| 22. |
Matthäus-Passion, BWV 244: First Part. No. 22 Recitative: “Petrus aber antwortete und sprach zu ihm” (Evangelist, Jesus, Peter) |
1:18 |
| 23. |
Matthäus-Passion, BWV 244: First Part. No. 24 Recitative: “Da kam Jesus mit ihnen zu einem Hofe” (Evangelist, Jesus) |
2:12 |
| 24. |
Matthäus-Passion, BWV 244: First Part. No. 25 Recitative: “O Schmerz” (Evangelist, chorus) |
3:07 |
| 25. |
Matthäus-Passion, BWV 244: First Part. No. 26 Aria: “Ich will bei meinem Jesu wachen” (tenor, chorus) |
6:24 |
| 26. |
Matthäus-Passion, BWV 244: First Part. No. 27 Recitative: “Und ging hin ein wenig” (Evangelist, Jesus) |
0:57 |
| 27. |
Matthäus-Passion, BWV 244: First Part. No. 28 Recitative: “Der Heiland fällt vor seinem Vater nieder” (bass) |
1:33 |
| 28. |
Matthäus-Passion, BWV 244: First Part. No. 30 Recitative: “Und er kam zu seinen Jüngern” (Evangelist, Jesus) |
1:36 |
| 29. |
Matthäus-Passion, BWV 244: First Part. No. 31 Chorus: “Was mein Gott will, das g'scheh allzeit” (chorus) |
2:03 |
| 30. |
Matthäus-Passion, BWV 244: First Part. No. 32 Recitative: “Da kam er zu seinen Jüngern und sprach” (Evangelist, Jesus, Judas) |
2:41 |
| 31. |
Matthäus-Passion, BWV 244: First Part. No. 33 Duo: “So ist mein Jesus nun gefangen” (soprano, alto, chorus) |
4:43 |
| 32. |
Matthäus-Passion, BWV 244: First Part. No. 34 Recitative: “Zu der Stund sprach Jesus zu den Scharen” (Evangelist, Jesus) |
1:21 |
| 33. |
Matthäus-Passion, BWV 244: First Part. No. 35 Chorus: “O Mensch, bewein dein Sünde groß” (chorus) |
8:27 |
|
CD 42 |
|
| 1. |
Matthäus-Passion, BWV 244: Second Part. No. 36 Aria: “Ach! nun ist mein Jesus hin!” (alto, chorus) |
5:47 |
| 2. |
Matthäus-Passion, BWV 244: Second Part. No. 37 Recitative: “Die aber Jesum gegriffen hatten” (Evangelist) |
0:42 |
| 3. |
Matthäus-Passion, BWV 244: Second Part. No. 39 Recitative: “Und der Hohepriester stund auf und sprach zu ihm” (Evangelist, High Priest) |
0:36 |
| 4. |
Matthäus-Passion, BWV 244: Second Part. No. 42 Recitative: “Und der Hohepriester antwortete und sprach zu ihm” (Evangelist, Jesus, High Priest) |
1:52 |
| 5. |
Matthäus-Passion, BWV 244: Second Part. No. 43 Recitative: “Da speieten sie aus in sein Angesicht” (Evangelist, chorus) |
0:47 |
| 6. |
Matthäus-Passion, BWV 244: Second Part. No. 44 Chorus: “Wer hat dich so geschlagen” (chorus) |
1:43 |
| 7. |
Matthäus-Passion, BWV 244: Second Part. No. 45 Recitative: “Petrus aber saß draußen im Palast” (Evangelist, First and second Maid) |
1:21 |
| 8. |
Matthäus-Passion, BWV 244: Second Part. No. 46 Recitative: “Da hub er an, sich zu verfluchen und zu schwören” (Evangelist, Peter) |
1:35 |
| 9. |
Matthäus-Passion, BWV 244: Second Part. No. 47 Aria: “Erbarme dich” (alto) |
9:00 |
| 10. |
Matthäus-Passion, BWV 244: Second Part. No. 52 Recitative: “Jesus aber stund vor dem Landpfleger” (Evangelist, Jesus, Pilate) |
1:06 |
| 11. |
Matthäus-Passion, BWV 244: Second Part. No. 53 Chorus: “Befiehl du deine Wege” (chorus) |
2:00 |
| 12. |
Matthäus-Passion, BWV 244: Second Part. No. 54 Recitative: “Auf das Fest aber hatte der Landpfleger Gewohnheit” (Evangelist, Jesus, Pilate, Pilate's wife) |
2:52 |
| 13. |
Matthäus-Passion, BWV 244: Second Part. No. 56 Recitative: “Der Landpfleger sagte” (Evangelist, Pilate) |
0:14 |
| 14. |
Matthäus-Passion, BWV 244: Second Part. No. 57 Recitative: “Er hat uns allen wohlgetan” (soprano) |
1:42 |
| 15. |
Matthäus-Passion, BWV 244: Second Part. No. 58 Aria: “Aus Liebe will mein Heiland sterben” (soprano) |
5:11 |
| 16. |
Matthäus-Passion, BWV 244: Second Part. No. 59 Recitative: “Sie schrieen aber noch mehr und sprachen” (Evangelist, Pilate, chorus) |
2:21 |
| 17. |
Matthäus-Passion, BWV 244: Second Part. No. 60 Recitative: “Erbarm es Gott!” (alto) |
1:46 |
| 18. |
Matthäus-Passion, BWV 244: Second Part. No. 62 Recitative: “Da nahmen die Kriegsknechte des Landpflegers” (Evangelist, chorus) |
1:23 |
| 19. |
Matthäus-Passion, BWV 244: Second Part. No. 63 Chorus: “O Haupt voll Blut und Wunden” (chorus) |
2:19 |
|
CD 43 |
|
| 1. |
Matthäus-Passion, BWV 244: Second Part. No. 64 Recitative: “Und da sie ihn verspottet hatten” (Evangelist) |
1:00 |
| 2. |
Matthäus-Passion, BWV 244: Second Part. No. 65 Recitative: “Ja freilich will in uns das Fleisch und Blut” (bass) |
0:46 |
| 3. |
Matthäus-Passion, BWV 244: Second Part. No. 66 Aria: “Komm, süßes Kreuz” (bass) |
9:23 |
| 4. |
Matthäus-Passion, BWV 244: Second Part. No. 67 Recitative: “Und da wurden zween Mörder” (Evangelist, chorus) |
2:21 |
| 5. |
Matthäus-Passion, BWV 244: Second Part. No. 68 Recitative: “Desgleichen schmäheten ihn auch die Mörder” (Evangelist) |
0:15 |
| 6. |
Matthäus-Passion, BWV 244: Second Part. No. 69 Recitative: “Golgatha, unselges Golgatha!” (alto) |
2:33 |
| 7. |
Matthäus-Passion, BWV 244: Second Part. No. 71 “Und von der sechsten Stunde an” (Evangelist, Jesus, chorus) |
2:50 |
| 8. |
Matthäus-Passion, BWV 244: Second Part. No. 72 Chorus: “Wenn ich einmal soll scheiden” (chorus) |
2:34 |
| 9. |
Matthäus-Passion, BWV 244: Second Part. No. 73 Recitative: “Und siehe da” (Evangelist, chorus) |
2:50 |
| 10. |
Matthäus-Passion, BWV 244: Second Part. No. 74 Recitative: “Am Abend, da es kühle war” (bass) |
2:37 |
| 11. |
Matthäus-Passion, BWV 244: Second Part. No. 76 Recitative: “Und Joseph nahm den Leib” (Evangelist) |
0:39 |
| 12. |
Matthäus-Passion, BWV 244: Second Part. No. 77 Recitative: “Nun ist der Herr zur Ruh gebracht” (soprano, alto, tenor, bass, chorus) |
2:40 |
| 13. |
Matthäus-Passion, BWV 244: Second Part. No. 78 Chorus: “Wir setzen uns mit Tränen nieder” (chorus) |
8:33 |
|
CD 44 |
|
| 1. |
Tristan und Isolde: Act I. Prelude |
11:04 |
| 2. |
Tristan und Isolde: Act I, Scene 1. “Westwärts schweift der Blick” (Seeman, Isolde, Brangäne) |
6:17 |
| 3. |
Tristan und Isolde: Act I, Scene 2. “Frisch weht er Wind der Heimat zu” (Seeman, Isolde, Brangäne, Tristan, Kurwenal) |
10:21 |
| 4. |
Tristan und Isolde: Act I, Scene 3. “Weh, ach wehe! Dies zu dulden!” (Isolde, Brangäne) |
9:20 |
| 5. |
Tristan und Isolde: Act I, Scene 3. “Da Friede, Sühn' und Freundschaft” (Isolde, Brangäne, chorus) |
12:32 |
| 6. |
Tristan und Isolde: Act I, Scene 4. “Auf! Auf! Ihr Frauen!” (Kurwenal, Isolde, Brangäne) |
7:55 |
| 7. |
Tristan und Isolde: Act I, Scene 5. “Herr Tristan trete nah!” (Tristan, Isolde) |
9:39 |
| 8. |
Tristan und Isolde: Act I, Scene 5. “War Morold dir so wert” (Tristan, Isolde, chorus) |
11:25 |
|
CD 45 |
|
| 1. |
Tristan und Isolde: Act I, Scene 5. “Tristan! Isolde!” (Tristan, Isolde, Kurwenal, Brangäne, chorus) |
7:36 |
| 2. |
Tristan und Isolde: Act II. Prelude |
2:44 |
| 3. |
Tristan und Isolde: Act II, Scene 1. “Hörst du sie noch?” (Isolde, Brangäne) |
12:36 |
| 4. |
Tristan und Isolde: Act II, Scene 2. “Isolde! Geliebte!…” (Tristan, Isolde) |
10:24 |
| 5. |
Tristan und Isolde: Act II, Scene 2. “O eitler Tagesknecht” (Tristan, Isolde) |
9:30 |
| 6. |
Tristan und Isolde: Act II, Scene 2. “O sink hernieder, Nacht der Liebe” (Tristan, Isolde) |
5:49 |
| 7. |
Tristan und Isolde: Act II, Scene 2. “Einsam wachend in der Nacht” (Brangäne) |
3:27 |
| 8. |
Tristan und Isolde: Act II, Scene 2. “Lausch, Geliebter!” (Tristan, Isolde) |
7:57 |
| 9. |
Tristan und Isolde: Act II, Scene 2. “So starben wir, um ungetrennt” (Tristan, Isolde, Brangäne) |
8:42 |
| 10. |
Tristan und Isolde: Act II, Scene 3. “Rette dich, Tristan!” (Tristan, Kurwenal, Melot) |
2:10 |
|
CD 46 |
|
| 1. |
Tristan und Isolde: Act II, Scene 3. “Tatest du's wirklich?” (Marke, Tristan) |
7:52 |
| 2. |
Tristan und Isolde: Act II, Scene 3. “Dies wundervolle Weib” (Marke, Tristan) |
6:12 |
| 3. |
Tristan und Isolde: Act II, Scene 3. “O König, dass kannich dir nicht sagen” (Tristan, Isolde, Melot) |
10:06 |
| 4. |
Tristan und Isolde: Act III. Prelude |
7:22 |
| 5. |
Tristan und Isolde: Act III, Scene 1. “Kurwenal! He! Sag, Kurwenal!” (Ein Hirt, Kurwenal, Tristan) |
10:54 |
| 6. |
Tristan und Isolde: Act III, Scene 1. “Dünkt dich das? Ich weiß es anders” (Kurwenal, Tristan) |
11:05 |
| 7. |
Tristan und Isolde: Act III, Scene 1. “Isolde kommt!” (Tristan) |
3:23 |
| 8. |
Tristan und Isolde: Act III, Scene 1. “Noch ist kein Schiff zu sehn!” (Kurwenal, Tristan) |
11:19 |
| 9. |
Tristan und Isolde: Act III, Scene 1. “Meine Herre! Tristan!” (Kurwenal, Tristan) |
8:35 |
|
CD 47 |
|
| 1. |
Tristan und Isolde: Act III, Scene 1. “O Wonne! Freunde!” (Tristan, Isolde) |
3:30 |
| 2. |
Tristan und Isolde: Act III, Scene 2. “O diese Sonne!” (Tristan, Isolde) |
3:51 |
| 3. |
Tristan und Isolde: Act III, Scene 3. “Ich bin's, ich bin's” (Isolde) |
6:28 |
| 4. |
Tristan und Isolde: Act III, Scene 3. “Kurwenal! Hör! Ein zweites Schiff” (Kurwenal, Ein Hirt, Ein Steuermann, Melot, Brangäne, Marke) |
9:49 |
| 5. |
Tristan und Isolde: Act III, Scene 3. “Mild und leise wie es lächelt” (Isolde) |
7:15 |
|
CD 48 |
|
| 1. |
Fidelio, op. 72: Act I. Overture |
6:38 |
| 2. |
Fidelio, op. 72: Act I. Duet: “Jetzt, Schätzchen, sind wir allein” (Jaquino, Marzelline) |
5:13 |
| 3. |
Fidelio, op. 72: Act I. Aria: “O wär'ich schon mit dir vereint” (Marzelline) |
4:44 |
| 4. |
Fidelio, op. 72: Act I. Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Jaquino, Rocco) |
4:48 |
| 5. |
Fidelio, op. 72: Act I. Aria: “Hat man nicht auch Gold beineben” (Rocco) |
3:01 |
| 6. |
Fidelio, op. 72: Act I. Trio: “Gut, Söhnchen, gut” (Marzelline, Leonore, Rocco) |
7:23 |
| 7. |
Fidelio, op. 72: Act I. March |
2:16 |
| 8. |
Fidelio, op. 72: Act I. Aria: “Ha! Welch ein Augenblick!” (Pizarro, chorus) |
3:24 |
| 9. |
Fidelio, op. 72: Act I. Duet: “Jetzt, Alter” (Pizarro, chorus) |
4:59 |
| 10. |
Fidelio, op. 72: Act I. Recitative and aria: “Abscheulicher!” (Leonore) |
7:59 |
| 11. |
Fidelio, op. 72: Act I, Finale. “O welche Lust” (chorus, 1st Prisoner, 2nd Prisoner) |
7:25 |
| 12. |
Fidelio, op. 72: Act I, Finale. “Nun sprecht, wie ging's” (Leonore, Rocco) |
6:00 |
| 13. |
Fidelio, op. 72: Act I, Finale. “Ach, Vater, Vater eilt” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus) |
2:45 |
| 14. |
Fidelio, op. 72: Act I, Finale. “Leb'wohl, du warmest Sonnenlicht” (Marzelline, Leonore, Jaquino, Rocco, Pizarro, chorus) |
4:47 |
|
CD 49 |
|
| 1. |
Fidelio, op. 72: Act II. Introduction |
4:05 |
| 2. |
Fidelio, op. 72: Act II. Aria: “Gott, welch Dunkel hier!” (Florestan) |
7:31 |
| 3. |
Fidelio, op. 72: Act II. Melodram: “Wie kalt ist es” (Leonore, Rocco) |
2:15 |
| 4. |
Fidelio, op. 72: Act II. Duet: “Nur hurtig fort, nur frisch gegraben” (Leonore, Rocco) |
4:40 |
| 5. |
Fidelio, op. 72: Act II. Trio: “Euch werde Lohn in bessern Welten” (Leonore, Florestan, Rocco) |
6:42 |
| 6. |
Fidelio, op. 72: Act II. Quartet: “Er sterbe!” (Leonore, Florestan, Pizarro, Rocco, Jaquino) |
5:22 |
| 7. |
Fidelio, op. 72: Act II. Duet: “O namenlose Freude!” (Leonore, Florestan) |
2:48 |
| 8. |
Fidelio, op. 72: Act II. Leonore Overture no. 3 |
15:19 |
| 9. |
Fidelio, op. 72: Act II. Finale: “Heil sei dem Tag!” (chorus) |
2:00 |
| 10. |
Fidelio, op. 72: Act II. Finale: “Des besten Königs Wink und Wille” (Don Fernando, Leonore, Marzelline, Pizarro, Rocco, chorus) |
4:43 |
| 11. |
Fidelio, op. 72: Act II. Finale: “O Gott! Welch'ein Augenblick!” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus) |
3:01 |
| 12. |
Fidelio, op. 72: Act II. Finale: “Wer ein holdes Weib errungen” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus) |
4:03 |
|
CD 50 |
|
| 1. |
Die Walküre: Act I. Prelude |
3:56 |
| 2. |
Die Walküre: Act I, Scene 1. “Was Herd dies auch sei” (Siegmund, Sieglinde) |
9:32 |
| 3. |
Die Walküre: Act I, Scene 1. “Einen Unseligen labtest du” (Siegmund, Sieglinde) |
3:57 |
| 4. |
Die Walküre: Act I, Scene 2. “Müde am Herd fand ich den Mann” (Siegmund, Sieglinde, Hunding) |
10:15 |
| 5. |
Die Walküre: Act I, Scene 2. “Die so leidig Los dir beschied” (Siegmund, Sieglinde, Hunding) |
10:19 |
| 6. |
Die Walküre: Act I, Scene 3. “Ein Schwert verhiess mir der Vater” (Siegmund) |
6:13 |
| 7. |
Die Walküre: Act I, Scene 3. “Schläfst du, Gast?” (Siegmund, Sieglinde) |
6:54 |
| 8. |
Die Walküre: Act I, Scene 3. “Winterstürme wichen dem Wonnemond” (Siegmund, Sieglinde) |
10:13 |
| 9. |
Die Walküre: Act I, Scene 3. “Wehwalt heisst du fürwahr?” (Siegmund, Sieglinde) |
5:13 |
|
CD 51 |
|
| 1. |
Die Walküre: Act II. Prelude |
2:04 |
| 2. |
Die Walküre: Act II, Scene 1. “Nun zaüme dein Ross, reisige Maid!” (Wotan, Brünnhilde) |
2:53 |
| 3. |
Die Walküre: Act II, Scene 1. “Der alte Sturm, die alte Müh” (Wotan, Fricka) |
10:22 |
| 4. |
Die Walküre: Act II, Scene 1. “Siegmund gewann es sich selbst in der Not” (Wotan, Fricka) |
7:35 |
| 5. |
Die Walküre: Act II, Scene 2. “Schlimm, fürcht' ich, schloss der Streit” (Wotan, Brünnhilde) |
10:03 |
| 6. |
Die Walküre: Act II, Scene 2. “Ein andres ist's” (Wotan, Brünnhilde) |
10:56 |
| 7. |
Die Walküre: Act II, Scene 2. “O sag, künde, was soll nun dein Kind?” (Wotan, Brünnhilde) |
7:33 |
| 8. |
Die Walküre: Act II, Scene 3. “Raste nun hier; gönne dir Ruh'!” (Siegmund, Sieglinde) |
11:47 |
|
CD 52 |
|
| 1. |
Die Walküre: Act II, Scene 4. “Siegmund! Sieh auf mich” (Siegmund, Brünnhilde) |
9:39 |
| 2. |
Die Walküre: Act II, Scene 4. “So grüsse mir Walhall” (Siegmund, Brünnhilde) |
10:35 |
| 3. |
Die Walküre: Act II, Scene 5. “Zauberfest bezähmt ein Schlaf” (Siegmund, Sieglinde, Brünnhilde, Hunding, Wotan) |
9:14 |
|
CD 53 |
|
| 1. |
Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries) |
8:06 |
| 2. |
Die Walküre: Act III, Scene 1. “Schützt mich, und helft in höchster Not!” (Walkyries, Brünnhilde, Sieglinde) |
10:04 |
| 3. |
Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Walkyries, Brünnhilde, Wotan) |
9:56 |
| 4. |
Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Walkyries, Brünnhilde, Wotan) |
3:25 |
| 5. |
Die Walküre: Act III, Scene 3. “War es so schmählich, was ich verbrach” (Wotan, Brünnhilde) |
10:12 |
| 6. |
Die Walküre: Act III, Scene 3. “So tatest du, was so gern zu tun ich begehrt” (Wotan, Brünnhilde) |
9:27 |
| 7. |
Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess ich dich” (Wotan, Brünnhilde) |
2:54 |
| 8. |
Die Walküre: Act III, Scene 3. “Lebwohl, du kühnes, herrliches Kind!” (Wotan) |
8:01 |
| 9. |
Die Walküre: Act III, Scene 3. “Loge, hör'! Lausche hieher!” (Wotan) |
7:39 |
|
CD 54 |
|
| 1. |
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato |
11:46 |
| 2. |
Symphony no. 8 in B minor, D. 759 “Unfinished”: Hall ambience |
0:48 |
| 3. |
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto |
12:12 |
| 4. |
Kaiser-Walzer, op. 437 (Play-through - test recording) |
10:23 |
| 5. |
Götterdämmerung: Act III. Siegfried's Funeral March (Play-through - test recording) |
8:42 |
| 6. |
Rosamunde: Entracte no. 3 (Play-through - test recording in the Grosser Saal, Musikverein) |
5:12 |
| 7. |
Rosamunde: Entracte no. 3 (Single take made in the Grosser Saal, Musikverein) |
4:48 |
| 8. |
Serenade in C major, op. 48: III. Elegia (Elegy). Larghetto elegiaco (Play-through - test recording) |
9:02 |
| 9. |
Tuning, buzzers and false starts |
4:38 |
|
CD 55 |
|
| 1. |
Wilhelm Furtwängler - A Memoir: Introduction - Overview |
3:49 |
| 2. |
Wilhelm Furtwängler - A Memoir: Berlin, 1930s |
4:37 |
| 3. |
Wilhelm Furtwängler - A Memoir: Conducting Technique |
4:07 |
| 4. |
Wilhelm Furtwängler - A Memoir: Europe, 1940s |
6:28 |
| 5. |
Wilhelm Furtwängler - A Memoir: Demands in Rehearsal |
3:56 |
| 6. |
Wilhelm Furtwängler - A Memoir: Philharmonia Orchestra - Methods, Impact and Results |
13:46 |
| 7. |
Wilhelm Furtwängler - A Memoir: Artistic Relationships with Soloists |
6:51 |
| 8. |
Wilhelm Furtwängler - A Memoir: Orchestra Balancing and Recording |
1:49 |
| 9. |
Wilhelm Furtwängler - A Memoir: Vulnerability and Insecurity |
6:24 |
| 10. |
Wilhelm Furtwängler - A Memoir: Final appearances |
4:05 |
