1. |
The Black Knight, op. 25: Scene I "The Tournament". Twas Pentecost |
6:09 |
2. |
The Black Knight, op. 25: Scene II "The Entry of the Black Knight": a. To the barrier of the fight |
2:47 |
3. |
The Black Knight, op. 25: Scene II "The Entry of the Black Knight": b. When he rode into the lists |
3:57 |
4. |
The Black Knight, op. 25: Scene III "The Dance": a. Pipe and viol call the dances |
5:18 |
5. |
The Black Knight, op. 25: Scene III "The Dance": b. Doth with her the dance began |
3:17 |
6. |
The Black Knight, op. 25: Scene IV "The Banquet": a. To the sumptuous banquet |
2:51 |
7. |
The Black Knight, op. 25: Scene IV "The Banquet": b. Twixt son and daughter |
4:04 |
8. |
The Black Knight, op. 25: Scene IV "The Banquet": c. Each the father's breast embraces |
3:37 |
9. |
The Black Knight, op. 25: Scene IV "The Banquet": d. Woe! The blessed children |
4:12 |
10. |
Scenes From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl) |
3:53 |
11. |
Scenes From the Bavarian Highlands, op. 27: II. False Love (Wamberg) |
4:23 |
12. |
Scenes From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach) |
3:54 |
13. |
Scenes From the Bavarian Highlands, op. 27: IV. Aspiration (Bei Sankt Anton) |
3:10 |
14. |
Scenes From the Bavarian Highlands, op. 27: V. On the Alm (Hoch Alp) |
3:33 |
15. |
Scenes From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau) |
6:07 |