|
Digital Media 1 |
|
| 1. |
Cello Sonata no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto |
3:00 |
| 2. |
Cello Sonata no. 1 in F major, op. 5 no. 1: II. Allegro |
15:25 |
| 3. |
Cello Sonata no. 1 in F major, op. 5 no. 1: III. Allegro vivace |
7:08 |
| 4. |
Cello Sonata no. 2 in G major, op. 5 no. 2: I. Adagio sostenuto ed espressivo |
5:37 |
| 5. |
Cello Sonata no. 2 in G major, op. 5 no. 2: II. Allegro molto più tosto presto |
15:07 |
| 6. |
Cello Sonata no. 2 in G major, op. 5 no. 2: III. Rondo. Allegro |
9:03 |
| 7. |
12 Variations on “See the Conqu’ring Hero Comes”, WoO 45 (After Handel): Theme. Allegretto |
0:51 |
| 8. |
12 Variations on “See the Conqu’ring Hero Comes”, WoO 45 (After Handel): Var. 1 |
0:44 |
| 9. |
12 Variations on “See the Conqu’ring Hero Comes”, WoO 45 (After Handel): Var. 2 |
0:44 |
| 10. |
12 Variations on “See the Conqu’ring Hero Comes”, WoO 45 (After Handel): Var. 3 |
0:45 |
| 11. |
12 Variations on “See the Conqu’ring Hero Comes”, WoO 45 (After Handel): Var. 4 |
0:57 |
| 12. |
12 Variations on “See the Conqu’ring Hero Comes”, WoO 45 (After Handel): Var. 5 |
0:56 |
| 13. |
12 Variations on “See the Conqu’ring Hero Comes”, WoO 45 (After Handel): Var. 6 |
0:45 |
| 14. |
12 Variations on “See the Conqu’ring Hero Comes”, WoO 45 (After Handel): Var. 7 |
0:42 |
| 15. |
12 Variations on “See the Conqu’ring Hero Comes”, WoO 45 (After Handel): Var. 8 |
0:47 |
| 16. |
12 Variations on “See the Conqu’ring Hero Comes”, WoO 45 (After Handel): Var. 9 |
0:51 |
| 17. |
12 Variations on “See the Conqu’ring Hero Comes”, WoO 45 (After Handel): Var. 10, Allegro |
0:42 |
| 18. |
12 Variations on “See the Conqu’ring Hero Comes”, WoO 45 (After Handel): Var. 11, Adagio |
3:24 |
| 19. |
12 Variations on “See the Conqu’ring Hero Comes”, WoO 45 (After Handel): Var. 12, Allegro |
1:08 |
| 20. |
12 Variations on “Ein Mädchen oder Weibchen”, op. 66 (After Mozart): Theme. Allegretto |
0:33 |
| 21. |
12 Variations on “Ein Mädchen oder Weibchen”, op. 66 (After Mozart): Var. 1 |
0:32 |
| 22. |
12 Variations on “Ein Mädchen oder Weibchen”, op. 66 (After Mozart): Var. 2 |
0:35 |
| 23. |
12 Variations on “Ein Mädchen oder Weibchen”, op. 66 (After Mozart): Var. 3 |
0:31 |
| 24. |
12 Variations on “Ein Mädchen oder Weibchen”, op. 66 (After Mozart): Var. 4 |
0:40 |
| 25. |
12 Variations on “Ein Mädchen oder Weibchen”, op. 66 (After Mozart): Var. 5 |
0:33 |
| 26. |
12 Variations on “Ein Mädchen oder Weibchen”, op. 66 (After Mozart): Var. 6 |
0:32 |
| 27. |
12 Variations on “Ein Mädchen oder Weibchen”, op. 66 (After Mozart): Var. 7 |
0:48 |
| 28. |
12 Variations on “Ein Mädchen oder Weibchen”, op. 66 (After Mozart): Var. 8 |
0:31 |
| 29. |
12 Variations on “Ein Mädchen oder Weibchen”, op. 66 (After Mozart): Var. 9 |
0:38 |
| 30. |
12 Variations on “Ein Mädchen oder Weibchen”, op. 66 (After Mozart): Var. 10, Adagio |
1:17 |
| 31. |
12 Variations on “Ein Mädchen oder Weibchen”, op. 66 (After Mozart): Var. 11, Poco adagio, quasi andante |
1:03 |
| 32. |
12 Variations on “Ein Mädchen oder Weibchen”, op. 66 (After Mozart): Var. 12, Allegro |
2:02 |
|
Digital Media 2 |
|
| 1. |
Cello Sonata no. 3 in A major, op. 69: I. Allegro ma non tanto |
13:03 |
| 2. |
Cello Sonata no. 3 in A major, op. 69: II. Scherzo. Allegro molto |
5:37 |
| 3. |
Cello Sonata no. 3 in A major, op. 69: IIIa. Adagio cantabile |
1:36 |
| 4. |
Cello Sonata no. 3 in A major, op. 69: IIIb. Allegro vivace |
7:15 |
| 5. |
7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46 (After Mozart): Theme. Andante |
0:53 |
| 6. |
7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46 (After Mozart): Var. 1 |
0:40 |
| 7. |
7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46 (After Mozart): Var. 2 |
0:48 |
| 8. |
7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46 (After Mozart): Var. 3 |
0:55 |
| 9. |
7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46 (After Mozart): Var. 4 |
1:23 |
| 10. |
7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46 (After Mozart): Var. 5, Si prenda il tempo un poco più vivace |
0:41 |
| 11. |
7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46 (After Mozart): Var. 6, Adagio |
2:42 |
| 12. |
7 Variations on “Bei Männern, welche Liebe fühlen”, WoO 46 (After Mozart): Var. 7, Allegro, ma non troppo |
1:56 |
| 13. |
Cello Sonata no. 4 in C major, op. 102 no. 1: Ia. Andante |
2:37 |
| 14. |
Cello Sonata no. 4 in C major, op. 102 no. 1: Ib. Allegro vivace |
5:03 |
| 15. |
Cello Sonata no. 4 in C major, op. 102 no. 1: IIa. Adagio |
1:59 |
| 16. |
Cello Sonata no. 4 in C major, op. 102 no. 1: IIb. Tempo d’andante |
0:45 |
| 17. |
Cello Sonata no. 4 in C major, op. 102 no. 1: IIc. Allegro vivace |
4:18 |
| 18. |
Cello Sonata no. 5 in D major, op. 102 no. 2: I. Allegro con brio |
6:48 |
| 19. |
Cello Sonata no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d’affetto |
8:27 |
| 20. |
Cello Sonata no. 5 in D major, op. 102 no. 2: III. Allegro |
4:36 |
