|
CD 1 |
|
| 1. |
Ich was ein chint so wolgetan, CB 185 |
4:03 |
| 2. |
Axe Phebus aureo, CB 71 |
2:34 |
| 3. |
Bache bene venies, CB 200 |
4:28 |
| 4. |
Dulce solum, CB 119 |
9:48 |
| 5. |
In taberna quando sumus, CB 196 |
3:14 |
| 6. |
Veris dulcis in tempore, CB 85 e 159 |
3:09 |
| 7. |
Alte clamat Epicurus, CB 211 e 211˚ |
5:07 |
| 8. |
Exiit dilucolo rustica puella, CB 90 |
3:23 |
| 9. |
Olim sudor Herculis, CB 63 |
9:44 |
| 10. |
Virent prata hiemata, CB 151 |
3:44 |
| 11. |
Sic mea fata, CB 116 |
6:26 |
| 12. |
Walthers ton (da CB 211) |
1:18 |
| 13. |
Tempus transit gelidum (CB 153) |
3:12 |
|
CD 2 |
|
| 1. |
Bonum est confidere, CB 27 |
2:38 |
| 2. |
Nomen a solemnibus, CB 52 |
3:53 |
| 3. |
Dic Christi veritas, CB 131 / Bulla fulminante, CB 131 |
6:02 |
| 4. |
O varium Fortune lubricum, CB 14 |
5:01 |
| 5. |
Fas et nefas, CB 19 |
3:08 |
| 6. |
Veritas veritatum, CB 21 |
2:12 |
| 7. |
Currit ad vocem, CB 47a |
1:47 |
| 8. |
Crucifigat omnes, CB 47 |
3:38 |
| 9. |
Procurans odium, CB 12 |
1:51 |
| 10. |
Ave nobilis, CB 11 |
7:06 |
| 11. |
Ecce torpet probitas, CB 3 |
4:35 |
| 12. |
Planctus ante nescia, CB 14 |
7:03 |
| 13. |
Licet ager cum egrotis, CB 8 |
7:07 |
| 14. |
Celum non animum, CB 15 |
4:14 |
|
CD 3 |
|
| 1. |
I. Appellatio Crucifigat omnes, CB 47 |
2:38 |
| 2. |
I. Appellatio, Seignor, sachiez qui or ne s'en ira |
6:56 |
| 3. |
I. Appellatio, La Quinte Estampie Real |
3:12 |
| 4. |
I. Appellatio, Parti de mal et a bien atourné |
5:14 |
| 5. |
I. Appellatio, Chevalier, mult estes guariz |
6:13 |
| 6. |
I. Appellatio, De transfretantibus |
1:44 |
| 7. |
I. Appellatio, Au tans plain de felonie |
3:43 |
| 8. |
II. Dure Departie, La Seconde Estampie Royal |
2:00 |
| 9. |
Bien me defisse targier |
7:21 |
| 10. |
II. Dure Departie, Dame, ensinc est qu'il m'en covient aler |
5:01 |
| 11. |
II. Dure Departie, A vous, Amors, plus qu'a nule autre gent |
5:07 |
| 12. |
II. Dure Departie, Li departirs de la douce contree |
5:53 |
| 13. |
II. Dure Departie, Li nouveax temps et maiz et violete |
7:44 |
| 14. |
II. Dure Departie, Aler m'estuet la ou je trerai paine |
8:16 |
|
CD 4 |
|
| 1. |
III. Passagium Laboriosum, Ja nuns hons pris, 1 |
8:18 |
| 2. |
III. Passagium Laboriosum, Ja nuns hons pris, 2 |
1:16 |
| 3. |
III. Passagium Laboriosum, Desolata mater / Que nutritos / Filios enutrivi (from Roman de Fauvel) |
2:45 |
| 4. |
III. Passagium Laboriosum, Maugré tous sainz et maugré dieu ausi |
4:27 |
| 5. |
III. Passagium Laboriosum, Congregati sunt |
2:44 |
| 6. |
III. Passagium Laboriosum, La Quarte Estampie Royal |
2:23 |
| 7. |
III. Passagium Laboriosum, In gotes namen fara wir |
0:58 |
| 8. |
III. Passagium Laboriosum, Chanterai por mon coraige |
7:47 |
| 9. |
III. Passagium Laboriosum, Diro satis percussus vulnere - Tristan's Lament |
3:59 |
| 10. |
III. Passagium Laboriosum, Nus ne porroit de mauvese reson |
3:39 |
| 11. |
IV. Hierosolyma Caelestis, Ierusalem mirabilis |
4:52 |
| 12. |
IV. Hierosolyma Caelestis, Nû alrêst lebe ich mir werde |
11:28 |
| 13. |
IV. Hierosolyma Caelestis, Nomen a solemnibus, CB 52 |
3:56 |
|
CD 5 |
|
| 1. |
Ductia Manuscript London, British Library, Harley 978, f. 8v-9r |
1:22 |
| 2. |
Petrone Manuscript London, British Library, Add. 28550 (Robertsbridge Codex), f. 43v |
4:36 |
| 3. |
Nota Manuscript, Oxford, Bodleian Library, Douce 139 |
2:19 |
| 4. |
Ductia Manuscript London, British Library, Harley 978, f. 9r/I |
2:04 |
| 5. |
Ductia Manuscript London, British Library, Harley 978, f. 9r/II |
4:18 |
| 6. |
Fragment Manuscript London, British Library, Add. 28550 (Robertsbridge Codex), f. 43r |
1:44 |
| 7. |
Ductia Manuscript London, British Library, Add. 28550 (Robertsbridge Codex), f. 43r |
6:28 |
| 8. |
Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Prime Estampie Royal |
3:10 |
| 9. |
Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Seconde Estampie Royal |
2:04 |
| 10. |
Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Tierche Estampie Roial |
5:38 |
| 11. |
Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Quarte Estampie Royal |
2:21 |
| 12. |
Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Quinte Estampie Real |
3:14 |
| 13. |
Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Seste Estampie Real |
4:30 |
| 14. |
Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Septime Estampie Real |
6:25 |
| 15. |
Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Uitime Estampie Real |
3:02 |
| 16. |
Manuscript Paris, Bibliothèque Nationale, f. f. 844: Dansse Real |
3:16 |
| 17. |
Manuscript Paris, Bibliothèque Nationale, f. f. 844: [untitled] |
7:38 |
| 18. |
Manuscript Paris, Bibliothèque Nationale, f. f. 844: Danse |
1:51 |
|
CD 6 |
|
| 1. |
Ghaetta |
4:18 |
| 2. |
Saltarello (2) |
1:32 |
| 3. |
La Manfredina, Rotta della Manfredina |
3:19 |
| 4. |
Chançoneta Tedescha (2) |
2:09 |
| 5. |
Isabella |
4:33 |
| 6. |
Saltarello (4) |
2:18 |
| 7. |
Saltarello (3) |
3:02 |
| 8. |
Chançoneta Tedescha (1) |
4:54 |
| 9. |
Chançoneta Tedescha (4) |
3:00 |
| 10. |
Principio di virtù |
6:20 |
| 11. |
Dança amorosa, suo Troto |
3:19 |
| 12. |
Chominiciamento di Gioia |
5:49 |
| 13. |
Chançoneta Tedescha (3) |
4:03 |
| 14. |
Trotto |
1:50 |
| 15. |
Bel fiore dança |
2:54 |
| 16. |
Lamento di Tristano, sua Rotta |
5:47 |
