|
CD 1 |
|
| 1. |
Shawm: Saltarello |
1:55 |
| 2. |
Reed pipe: Shepherd’s tune |
1:02 |
| 3. |
Bagpipes: (a) Cylindrical chanter: Saltarello; (b) Conical chanter: Ballade “Dame, se vous m’estés” |
3:14 |
| 4. |
Bladder pipes: Pastourelle “Au tans d’aost” |
1:08 |
| 5. |
Panpipes: A prisai qu’en chantant plour |
1:13 |
| 6. |
Transverse flute: Ach owê, daz nâch liebe ergât |
1:34 |
| 7. |
Six-holed pipe: Dou tres douz non |
1:55 |
| 8. |
Double pipes: Virelai “Gracïeuse” |
1:21 |
| 9. |
Pipe and tabor: Dansa “Ben volgra, s’esser poges” |
1:13 |
| 10. |
Recorder: English Te Deum |
1:55 |
| 11. |
Gemshorn: Chansonnette “Quan je voi iver retorner” |
1:33 |
| 12. |
Portative organ: Madrigal “Ay, sconsolato ed amoroso” |
1:43 |
| 13. |
Positive organ: Estampie |
2:23 |
| 14. |
Hurdy-gurdy: Chanson “Joliveté et bone amor” |
1:39 |
| 15. |
Clavichord: Ellend du hast |
2:16 |
| 16. |
Trumpet: (a) Clarion: Fanfare “Untarn slaf tut den sumer wol”; (b) Buisine: Fanfare “Ad modum tubae” |
2:21 |
| 17. |
(a) Cowhorn: Ballade “De moi doloureus”; (b) Medieval Cornett: Das Nachthorn; (c) Slide trumpet: Geisslerlied “Maria muoter reinû maît”; (d) Ensemble (medieval cornett, slide trumpet, alto shawm, tabor): Der Trumpet |
3:37 |
| 18. |
Harp: (a) Metal strung: Lai “Qui porroit un guierredon”; (b) Gut strung: Dance tune |
2:14 |
| 19. |
Lyre: Goliard melody “O Roma nobilis” |
0:51 |
| 20. |
Psaltery: Hymn to St Magnus “Nobilis humilis” |
1:01 |
| 21. |
Dulcimer: Madrigal “Tanto soavemente” |
1:57 |
| 22. |
Lute: Madrigal “Di novo è giunto” |
2:14 |
| 23. |
Mandora: Chanson “Amours que porra” |
1:23 |
| 24. |
Long-necked lute: Aquel que de voontade |
1:15 |
| 25. |
Cittern: Virelai “Quant je sui mis” |
1:02 |
| 26. |
Citole: English dance |
1:46 |
| 27. |
Rebec: La septime estampie real |
1:05 |
| 28. |
Fiddle: Ballata “Poi che da te mi convien” |
1:26 |
| 29. |
Bowed lyre: Virelai “Comment qu’a moy” |
1:35 |
| 30. |
Tromba marina: Improvised fanfare Motet “Quant ie le voi — Bon vin doit — Cis chans veult boire” |
1:05 |
|
CD 2 |
|
| 1. |
Shawm: Two courantes |
2:13 |
| 2. |
Curtal: Chanson “Ce qui souloit” |
1:45 |
| 3. |
Rackett: Caro ortolano |
1:30 |
| 4. |
Crumhorn: Padouana |
2:09 |
| 5. |
Cornamuse: Bicinium “Le cuer de vous” |
1:11 |
| 6. |
Kortholt: Bicinium “Mon petit cuer” |
1:23 |
| 7. |
Rauschpfeife: Three Bransles Doubles |
1:33 |
| 8. |
Flute: Chanson “Amor me poingt” |
1:26 |
| 9. |
Recorder (a) 8′ Consort: Chanson “Hellas! Amour” |
2:17 |
| 10. |
Recorder (b) 4′ Consort: The Fairie Round |
1:22 |
| 11. |
Renaissance organ: Entrada réal |
2:22 |
| 12. |
Regal: (a) Prelude “Ascensus simplex”; (b) “Min Hertz hat sich ser gefröwet” |
1:35 |
| 13. |
Harpsichord: Toccata from the Naples MS |
1:57 |
| 14. |
Virginals: Variations on the Romanesca |
2:35 |
| 15. |
Xylophone: Ballo Francese |
0:57 |
| 16. |
Trumpet: (a) Unmuted: Toccata from Orfeo, 1607; (b) Muted: Toccata from Orfeo, 1607 |
1:26 |
| 17. |
Sackbut: (a) Solo: Adagio and Allegro; (b) Consort: “Lobt Gott ihr Christen alle gleich” |
2:59 |
| 18. |
Cornett: Canzona for “due canti” |
3:08 |
| 19. |
Alto and tenor cornett: Bicinium “Amour cruel” |
1:22 |
| 20. |
Serpent: Canzona Quarta for “basso solo” |
2:22 |
| 21. |
Lute: Orlando sleepeth |
1:44 |
| 22. |
Theorbo: A Fancy — Praelude, or Voluntary |
1:48 |
| 23. |
Mandora: Ballo Anglese |
1:06 |
| 24. |
Cittern: Galliarde for cittern and bass |
2:22 |
| 25. |
Ceterone: Toccata prima |
1:44 |
| 26. |
Bandora: Galliard |
0:50 |
| 27. |
Orpharion: Duet “Le Rossignol” |
1:36 |
| 28. |
Vihuela: Fantasia XI from El maestro, 1536 |
2:50 |
| 29. |
Guitar: Pavana (Variations on the Romanesca) |
1:32 |
| 30. |
Viol: (a) Consort: Fantasy in four parts; (b) Lyra viol: Duet “Forget me not” |
3:21 |
| 31. |
Violin: La volta |
1:32 |
