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CD 1 |
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| 1. |
Gilded Goldbergs, Part I, First Set: Aria: G major |
3:42 |
| 2. |
Gilded Goldbergs, Part I, First Set: Variation 1: expanding the theme: G |
2:27 |
| 3. |
Gilded Goldbergs, Part I, First Set: Variation 2: simple tonal cubism: G-D |
1:35 |
| 4. |
Gilded Goldbergs, Part I, First Set: Variation 3: canon at the unison: G |
2:45 |
| 5. |
Gilded Goldbergs, Part I, First Set: Variation 4: simply through some keys: G-G |
1:55 |
| 6. |
Gilded Goldbergs, Part I, Second Set: Variation 5: vivace à la Scarlatti: C |
0:49 |
| 7. |
Gilded Goldbergs, Part I, Second Set: Variation 6: canon at the second: C-A-flat |
2:23 |
| 8. |
Gilded Goldbergs, Part I, Second Set: Variation 7: gigue in antiphony: A-flat/C |
1:35 |
| 9. |
Gilded Goldbergs, Part I, Second Set: Variation 8: enhanced replay of Variation 1: G |
3:43 |
| 10. |
Gilded Goldbergs, Part I, Second Set: Variation 9: canon at the third: homage to Granger: E-flat |
2:15 |
| 11. |
Gilded Goldbergs, Part I, Second Set: Variation 10: 'robust and a bit gormless' (wrong-note music): B |
1:31 |
| 12. |
Gilded Goldbergs, Part I, Second Set: Variation 11: dreaming: homage to Schubert and Brahms: G |
3:00 |
| 13. |
Gilded Goldbergs, Part I, Third Set: Variation 12: canon at the fourth: E |
3:01 |
| 14. |
Gilded Goldbergs, Part I, Third Set: Variation 13: Cantilena I: double variation with homage to Dowland: G/E-flat minor |
9:02 |
| 15. |
Gilded Goldbergs, Part I, Third Set: Variation 14: energico: A-flat minor |
2:04 |
| 16. |
Gilded Goldbergs, Part I, Third Set: Variation 15: canon at the fifth: G minor |
4:24 |
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CD 2 |
|
| 1. |
Gilded Goldbergs, Part II, Fourth Set: Variation 16: French Overture and homage to Nancarrow: G sharp minor |
6:22 |
| 2. |
Gilded Goldbergs, Part II, Fourth Set: Variation 17: Hungarian cymbalom: homage to Bartók, Ligeti, Kurtág: E minor doïna – homage to Enescu – linking to |
3:55 |
| 3. |
Gilded Goldbergs, Part II, Fourth Set: Variation 18: canon in sixths: D-flat |
4:25 |
| 4. |
Gilded Goldbergs, Part II, Fourth Set: Variation 19: Ländler and trio (brief history of Austro-German music in triple time): B-flat |
4:36 |
| 5. |
Gilded Goldbergs, Part II, Fourth Set: Variation 20: vivace con brio: D |
1:44 |
| 6. |
Gilded Goldbergs, Part II, Fourth Set: Variation 21: canon at the seventh: G minor |
2:31 |
| 7. |
Gilded Goldbergs, Part II, Fourth Set: Variation 22: churchy counterpoint in antiphony: A-flat |
2:06 |
| 8. |
Gilded Goldbergs, Part II, Fourth Set: Variation 23: diatonic scrunches (homage to Tippett): F |
2:20 |
| 9. |
Gilded Goldbergs, Part II, Fifth Set: Variation 24: canon at the octave: complex journey through some keys: G/G minor-B-flat |
2:51 |
| 10. |
Gilded Goldbergs, Part II, Fifth Set: Variation 25: Cantilena II: G minor |
5:40 |
| 11. |
Gilded Goldbergs, Part II, Fifth Set: Variation 26a: Sarabande: G |
1:14 |
| 12. |
Gilded Goldbergs, Part II, Fifth Set: Variation 27: 'Trio' – canon at the ninth: F |
0:46 |
| 13. |
Gilded Goldbergs, Part II, Fifth Set: Variation 26b: Sarabande resumed: A major/A minor, Rückblick – homage to Schumann – linking to |
2:14 |
| 14. |
Gilded Goldbergs, Part II, Fifth Set: Variation 28: 'Summer afternoon' – hazy trills and tremolos: G |
1:35 |
| 15. |
Gilded Goldbergs, Part II, Fifth Set: Variation 29: Toccata with clusters: F-sharp |
3:24 |
| 16. |
Gilded Goldbergs, Part II, Fifth Set: Variation 30: Quodlibet: traversing all twelve keys, ending D |
3:15 |
| 17. |
Gilded Goldbergs, Part II, Fifth Set: Aria da capo: G |
2:41 |
